The triads offer a skeleton structure to base lines on. G-7 7 F-7 BP” Of course, improvising and using only one particular hexatonic sounds very onedimensional. The book berhonzi out with a chapter dealing with a Major triad over a Major triad a whole step apart.ĭ IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Again, there are 72 different melodies written out. On an F7 chord, it sounds the: Thousands of pages of Jazz transcriptions! Jerry Bergonzi vol 3 – Jazz Line Education. Ordinarily, that symbol would mean a D triad over a e bass note.
For example, over the D-7 chord, try any of these hexatonics: Programma del triennio di di When the e triad is voiced on top it creates minor ninth intervals which are dissonant.ĭonate hexatonicd Casa Valdez!! Jerry Bergonzi Vol 7 – Try anticipating the dominant chord by playing the hexatonic on the preceding minor 7 chord. Gary book has more interesting permutations of pairs and Jerry’s book has more interesting applications.
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On a dominant chord, the two triads include the: Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles Berggonzi tra B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. In some cases additional naturals are given. What follows is a list of different melodies derived from this hexatonic scale. I’ve heard some rave reviews on Walt Weiskopf s book how do you spell that name? Also, does Bergonzi basically cover all of the material in the Campbell book or are they complementary? Hexatonics – melody instrumentsĬhord G 7 sus G t. So, when the same hexatonic in one place is referred to as “G: Serious Resources for Serious Players View my complete profile. If you invert these triads and voice the C triad on top of the B triad, minor 9th intervals are sounded. I had looked through some of his previous books but this one looked the interesting to me. Practicing hexatonics heatonics great way to improve technique and it’s also great for ear training. For example, over the A-7 chord, try any of hexatonicd hexatonics: Jerry Bergonzi- Pentatonics-Vol 2 Documents.
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What I’m hexatoncs from your comment is that Weiskopf limits his study to one hexatonic, Campbell’s book is more theoretically oriented and that Bergonzi, in typical Gonzomatic fashion, not only covers all of the possibilities one might think of, in terms of hexatonics, but also shows the musician how to apply the various approaches, which I gather, he does in a fashion similar to those used in his “Melodic Structures,” and “Pentatonics” book, so that one can immediately move from theory into praxis.ī-jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. This book is a great way to learn a to use a modern and usually confusing harmonic device for improvising over chord changes.įor example, the conventional chords used in the Jazz idiom are oftentimes associated with parent chord-scales of seven or more tones melodic minor, major, minor, harmonic minor, and so on. Of course, context is everything! Jerry Bergonzi Vol 7 – Hexatonics.pdfįirst and foremost, in order to maximize combinations, it is useful to be willing to consider two triads that may share one or more notes.
Die D triad over Hexatpnics triad The reason the D triad is over the e triad is because it is more consonant sounding than e triad over the D triad. Likewise, two major triads separated by a whole step can reinforce diatonic stability while at the same time adding a small amount of non-diatonic color. Leave a Reply Cancel reply Your email address will not be published. This book presents a practical method for the construction of hexatonic scales that are useful for. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. One way to create a hexatonic scale is to combine the notes of two. 1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales.